By Agustín Carlevaro
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Extra resources for Álbum para guitarra (Album for guitar - Guitar Scores)
It alternates with a brazen march on horns , timpani, and snare drum , with some spicy repeated-note commentary from the violins , ultimately leading to the central episode , or trio section in musical j argon, at 1 : 48 . This has two parts , both of which get repeated : A (solo violin with harp) , A (solo flute with harp) , B (strings lead , at 2 : 3 2 ) , B (woodwinds lead) . The opening section returns , recast for pizzicato strings and witty bassoon, and leads to a mostly reg ular repeat of the initial material .
Oboes and flutes , then a single oboe and clarinet, continue the mood an� tempo of the preceding movement in a melancholy introduc tion . A minute or two of gloom, and the movement takes off with more of Shostakovich 's skittish, burlesque music , sort of a combination of the scherzo's attitude with the first movement's harmonic spice . At the climax of the chaos, violins scream out a symmetrical melody that quickly puts a damper on the festivi ties, becoming the second subject on solo violin at a slower pace .
With seemingly wry indif ference , the movement tiptoes to a quiet close . Third M ovement : Lento The slow movement has the same basic shape as the scherzo : ABAB , even down to a contrapuntal combination of its two main themes when the second section comes back towards the end . Technically this formal shape is a kind of sonata form, only without a development section. Mozart was particularly fond of this structure and used it very frequently in his mature music . As you can hear, Shostakovich liked it as well , so much so that he based an entire symphony (the Sixth) on it.
Álbum para guitarra (Album for guitar - Guitar Scores) by Agustín Carlevaro
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